In this way, Tish belongs to the Christian community in her beliefs and yet is separate from it in her criticisms. The title is a reference to the 1916 W.C. Sometimes in life, we just need a little inspiration. Tish takes note of Frank's process: "He pressed the presser down again ... Then he looked up at me and smiled. Tish displays an intimate knowledge of her family while she is resting before the family announcement. Instead, the punctuation and syntax of the sentences themselves heighten drama and bring the reader into Tish's memories as if they were there with her. While she is in "the Tombs" visiting Fonny, she picks up on the racial demographics of the other people in the jail: "I've never come across any shame down here, except shame like mine, except the shame of the hardworking black ladies, who call me Daughter, and the shame of proud Puerto Ricans who don't understand what's happened—no one who speaks to them speaks Spanish, for example—and who are ashamed that they have loved ones in jail" (7). The socioeconomic tensions of New York City are also apparent in the passage in which Tish describes her parents' love story. She describes the sculpture's positioning in academic terms: "The legs are long, very long, and very wide apart, and one foot seems planted, unable to move, and the whole motion of the figure is torment" (35). Tish then meditates on her appearance, stating that she looks average and that Fonny does not bother to call her pretty and instead says that "pretty girls are a terrible drag" (18). The third, perhaps the deepest and insidious conflict that runs through If Beale Street Could Talk, is the racial tension that she feels in the city in which she lives. However, it also paradoxically is a place of warmth and love for Tish, where her relationship with Fonny is given space to evolve because of the apartment Fonny has in the Village before he gets arrested. Another division in Tish’s community that we find on these pages are the different churches that people attend. A young woman embraces her pregnancy while she and her family set out to prove her childhood friend and lover innocent of a crime he didn't commit. In these moments, her voice is both retrospective and enters the scene of the past completely. undefined out of 5 stars with 0 reviews. In the Hunt household, Tish reveals, "there was always fighting" (37). She was trying to look tough and careless, but she just looked scared. Once they exchange pleasantries, Frank guesses why Tish is in his shop and tells her Fonny is on a trip. Tish’s family are close and supportive. This passage reveals the biases within the black community towards achieving beauty which is measured by European standards. The following sentence, short and clipped, only 2 words long, acts a sharp contrast against the fraught tension at the end of the first sentence. Throughout the novel, downtown New York exists as a place that holds tension and fear because of the racial tensions it heightens. Throughout Beale Street, Tish displays a storytelling method in which she stacks stories on top of each other. Behind Tish's mediations is a reference to the Great Migration, in which over six million African Americans moved from rural southern states to the North, Midwest, and West between 1916 and 1970. For example, we see Tish reevaluate what she says in real time as she tells us her story: "I'm tired, and I'm beginning to think that maybe everything that happens makes sense. Sign In. (Remember that the Tombs, the jail where Fonny is kept, is also in downtown New York). Word Count: 555. When Tish tells Mrs. Hunt that she goes to Abyssinia Baptist with her family, Mrs. Hunt replies “that’s a very handsome church,” and Tish picks up on the unspoken judgment behind her words (12). In this way, Beale Street's tone is closely tied to the spirit of the blues, which are about enduring suffering while maintaining a terrible kind of hope. Tish is 19 and pregnant - her partner Fonny is a couple of years older and in prison, falsely accused of rape. Tish tells the speaker that Fonny used to go to vocational school where he learned a lot of useless knowledge. Tish and Fonny can look at each other, but they cannot touch. Baldwin gives Tish awareness that she is telling a story, which means that the scenes she chooses to portray to the reader have been chosen and placed together in a larger narrative for a reason. She meditates on what it's like being in trouble, saying that it changes the way you see the world and the people around you. 4 G. J., “James Baldwin If Beale Street Could Talk”, Heures, 1975. She sees all of the injustices the government has against the kids. Tish tells him that he is the first person that she has told. She also assures her daughter that she and Fonny would be married by now if it weren't for the "white man" (33). The Question and Answer section for If Beale Street Could Talk is a great As Tish tried to get Daniel off of Geneva, Fonny tried to get her off of Daniel. Tish describes what happened following the fight with Geneva, Daniel, and Fonny. While Harlem in the 1970s was (and, to a certain extent, still is) a relatively insular community, Tish cannot think of anyone who could afford to take their clothes to the tailor on a regular basis. If Beale Street Could Talk is a 1974 novel by American writer James Baldwin. Thus, Mrs. Hunt holds more power over Tish since she is a fair-skinned woman, and Tish senses this judgment from Mrs. Hunt. Her limited knowledge about those around her is evident in her scene with Mr. Hunt in the tailor shop, as he knows exactly what she needs, and yet he is an enigma to her. She worries that she actually did give Fonny lockjaw from the rusty nail and convinces herself that he is on the brink of death. Additionally, Christianity is inherently tied into this institution, which implicates it in the oppression that African Americans face. Does If Beale Street Could Talk make you angry? By the time the bus arrives in the city, Joseph is determined to be in Sharon's life. Their families set out to clear his name, and as they face an uncerain future, the young lovers experience a kaleidoscope of emotions -- affection, despair, and hope. In this passage, we exist both in the past and the present—the scene comes from the past, but it is informed by the present, which adds emotional depth. Be the first to ask a question about Summary. He believes that if he didn't exist, Frank would have left his family a long time ago. resource to ask questions, find answers, and discuss the novel. This passage shows that Sharon thinks very similarly to her daughter, who, just a few pages earlier, condemns the Christian God for all the evil that he allows to exist in the world. In response, Tish hit Fonny in the face with a wooden stick that had a rusty nail sticking out of it. Baldwin's choice to depict violence between two different genders softens the divide between men and women in the novel, and their relationship becomes much more reciprocal than what is stereotypically presented for a heterosexual relationship. Back in the present, after having told Fonny that she is pregnant, Tish decides that it is time to tell her mother, sister, father, and Frank. Tish is not part of the "them" that believe in the Christian God. By crossing over from Harlem into downtown Manhattan, Fonny makes himself even more of a target for the police, which is exacerbated by his own sense of self. Tish and Mr. Hunt are able to read each other without communicating fully, and Mr. Hunt is able to read Tish's motivations without her having to explain herself to him. Tish tells Fonny that she is pregnant. This book is not yet featured on Listopia. When they enter the church, the congregation's heads turn to watch them. Though they want nothing more than to be together, Tish and Fonny are forced to see each other during visitation at the Tombs. Tish does not feel the warm feelings for the Sanctified Church that she does from her childhood. In this passage, there is a clearly demarcated "us" and "them." Geneva gets mad at Tish and their friendship ends, which Tish attributes to her new relationship with Fonny. Tish emphasizes that this racist logic is made up and imposed on them, yet the Rivers family is forced to conform to it. Troubled About My Soul. While Tish can trace a history of improvement, she does not see much hope in the current situation that black people face in America in the 1970s: "we were certainly poor enough," she says, "and we still are" (10). Additionally, Geneva and Daniel's accusations at Tish of "killing" Fonny show the potential that Tish has for exerting some true strength and violence in this scene. This is reflected through his decision to drop out of vocational school as well as his acting to protect Tish later on in the novel when he believes she is being threatened by a white man. He reveals to Tish that Mrs. Hunt sent Fonny to the country because he was getting in too much trouble in New York. Shop all 20th Century Studios. Sharon left the South when she was 19 by running away with a traveling band while dating the drummer. Because of these disparate elements, Fonny's passage about his parents stands out on the page of Beale Street, particularly because his voice in this extended quotation is so much harsher than Tish's voice. Tish compares their relationship at that stage to that between a brother and sister, in which they "got to be, for each other, what the other missed" (14). When the doorbell rings, she brings a small glass of whiskey to her daughter in order to calm her down. The voice in passages like these, therefore, becomes akin to two voices, as Tish's voice is layered on top of Joseph's. Instead of describing her physical body in the mirror, Tish turns to a discussion on names—an issue which will be a major theme of Beale Street. In this honest and stunning novel, James Baldwin has given America a moving story of love in the face of injustice. Sharon then goes to answer the door for Joseph, and from the bedroom where she is resting, Tish can hear his laugh. Thus, even though the residents of Harlem in Tish's community are overwhelmingly Christian, they practice different types of Christianity that create divisions and points of conflict among them. She is frightened by the Sanctified custom of “getting happy” or “falling under the Power” (22-3). In this way, Sharon calls upon African American history and implies that marriage is an institution that black people were denied when they first came to America. As the above passage shows, Sharon is "frightened" by Joseph's story, because, as she knows, only "white people" live down there. In the end, Tish uses the irony of this moment to teach her audience a lesson about love: "The love and the laughter come from the same place: but not many people go there" (17). For example, the punctuation and syntax in the sentence in which Fonny spits at Tish is as important for expressing emotion in that moment as the content: "He caught me right on the mouth, and—it so humiliated me, I guess—because he hadn't hit me, or hurt me—and maybe because I sensed what he had not done—that I screamed and started to cry. Start by marking “Summary: "If Beale Street Could Talk" by James Baldwin | Discussion Prompts” as Want to Read: Error rating book. Sharon calms Tish and tells her that she will make the family announcement that Tish is pregnant. When Sharon and Tish converse about Tish's pregnancy for the first time, Sharon assures Tish that it is not her or Fonny's fault that they are unmarried and expecting a baby. Tish notes that she does not remember what color Mrs. Hunt's dress was anymore, but that it stands out in the darkness of the church. When Tish says no, Sharon sighs and moves to start putting the groceries away. By allowing Tish to guess what her family is up to and relay it as fact through her knowledge of the family, Baldwin pushes the boundaries of the first-person narrator. This leads Tish to feel very isolated because of her situation: "Trouble means you're alone" (8). Geneva tells Tish that the second Fonny dies from lockjaw, the cops will come to get Tish and put her on death row. However, she also hopes that it will give him joy in this difficult period of his life. Mrs. Hunt, in a backhanded compliment, tells Tish that she attends a "very handsome church" (21). Because Frank is an alcoholic, he also spends a lot of his time in bars. Tish believes that once you get to know him, Fonny is actually a very sweet man. In the first scene of the novel, Tish speaks to her lover, Fonny Hunt, who is in jail, and tells him she is pregnant.
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